Friday, May 25, 2007

This is where we walked

Last weekend, for the first time in some years, I was able to visit the farm where I first lived. You can go home again, but it's not going to be your home anymore when you get there. I wasn't completely prepared to deal with this little section of land not being my little section of land.
This photo is taken from the main parking area of the farm, just to the side of the house. This is a view I had nearly ever day for the first 12 years of my puff.
Notice there are 3 Telephone poles in this photo, between the middle one and the one on the right in the photo there used to be an extremely well worn path where I used to walk when I had some urgent business to attend to in the north western portion of the farm. The trail was even more pronounced by my extreme love of driving our 4 wheel ATV up the same path.
To me it's eye opening that there is no evidence whatsoever of my path. We left the farm in 1991, or 1992. Footprints don't all last 15 years.
This used to be building, with four walls and roof. It was corrugated tin like you see in the remaining sections of the wall. We called it "the machine shed". Sounds like an industrial metal band to me now, but it had been called that because it was were we parked farm machines. A quick inventory of the machines in my mind proves how sadly I don't remember some aspects of farm life. I recall a small white david brown tractor calling the machine shed home during the latter part of my life there, in addition there used to be a hay baler parked there, which is what you see parked there now, in this photo. Ours however was yellow. I remember there used to be an unplugged deep freezer in this building, that had a very horrid smell to it, that I would like to open just to smell how bad that smell was. Later the deep freeze played home to two very large bags of grass seed, which I believe was grass left over from one of the first years my dad entered acreage into the CRP. (on day I might try and touch more on just how much this government program effected the direction of my family)
Another aspect of this building that I was always fascinated by was the texture of the dirt floor. There is something about soil that has clung to the bottom of a tractor and mixed with who knows what else only to fall off at night. It is the softest dirt I've ever encountered. I would sometimes collect portions of the dirt in a bucket or cup, and take it to places on the farm which I thought could benefit from this magical dirt.
A last thought comes to me when I think of this building. Bob white Quail. This is a very memorable bird to me, the dwell on the ground and the live in large groups r "
"coveys". One of these grouped used to live up the hill behind the machine shed. They have a particular instinct to not flush from their cover until a predator is nearly directly upon them. I believe the advantage of surprise in the having 10 to 15 birds suddenly springing to flight from the grass all around while making an odd noise has proven itself useful for this species. It also proved to startle the living shit out of me.
More specific to this memory is the reason they are named Bob White, they male birds call each spring sounds as if they are actually saying "Bob White". I have a memory of walking with my Father and my Sister next to the machine shed and being told about Bob Whites, and why they are called what they are called. I seem to remember my sister making the call sound very funny.
This building is a grainery. In it's day it was used for the storage of grain. I can only recall one occasion where one of the rooms was actually used for the purpose it was intended for while we lived on this farm. The rest of the time the grainery was quite simply the coolest building on our farm. When it was ours, the outside was a visible faded red worn wood, not this childish white sighting which now adorns the exterior you see here.
This building was the sight of Darth Vadar's base of operation in my most often re-occurring childhood dream. The one where Darth and his crew come and take over my farm. Nothing upsets a child more then having the dark side take over the farm.
This building was also at times a club house, a boxing club, a dojo and an apartment building. In my imagination of course. It was also the sight of what we mistook for really awesome secret passage ways. They were in fact just conduits for the cycling of grain.

This is the north east corner of the house we lived in. It looks essentially like it did when we lived there, though a bit worse for time. The concrete steps in the center of the photo lead to the backdoor, which was basically the only door we ever used, so really it was our front door.
Though I have no memory of the event, I once fell from the top of these steps and cracked my skull. I was a young one, I think around 2, and a Jehovah's witness out making the testifying rounds of local farms had just pulled down our drive way to annoy my parents before being sent away. I suppose the arrival of a vehicle, not an entirely common occurrence, pulled me onto the porch to see what gave. I was most likely following my mother. The wind picked up after I was on the porch, probably driven in some part by the universe's distaste for followers of ridiculous wet blanket religions, and threw the screen door into me, catapulting me off the porch. This was mother nature's way of setting it clearly to me, early in life that the talk of man is no match for the actions of nature.

This building was our 2 car garage. It also has received a makeover, for what I would call the worse. This building used to be of aged weather faded green wood on the outside. Much more pleasing to the eye. I'm having some memory that the door used to note actually close and lock, until the roof had to be re-done in the style in which it appears now. That happened one summer around the time I and all my siblings fell ill w/ the chicken pox, and were allowed and entire week out of school to play outside and itch.

The roof of this building was the burial spot of Kittie Kiffany, who founded the village who's name I've forgotten. The village began in the sandbox, which we called in a sand pile. Building the village, which was small, approximately 1/32 scale, and creating the lives and drama's of the little people that lived there was a game my siblings and I played called out in the sand pile. The name took on a symbolic meaning when the game out lived and and out grew the sand pile by 100 feet and at least 6 years. I call upon both of my siblings and my mother to blog further on the culture of "out in the sand pile. I should mention that the origins of the game are between the garage and the silver propane tank. (which I almost mistook for the Anhydrous Ammonia Tank which we would rent every year to fertilize with) There is no evidence of the game left. All the people that never lived there don't live there anymore, sad.

Here is yet another view of the back-front porch. Notice the Trees on the left of the picture. This was the home of our rather no nonsense tree house which our father built for us. In thinking about it now, I think that is what became of the original garage door which never closed nor locked. There is no longer any sign of the tree house.


I was once sitting in the yard, about 15 ft from the back-front door, playing in the dirt, which was not of any remarkable texture, when my cat Pirate, who'd been missing for over a month came calmly trotting through the field you can now see in the background of this picture. At this time the field had been plowed under, so it was nothing but dirt and my white and black friend stood out like vision. Where he was for that entire month he wouldn't say, but he made it clear that he came back because he loved me and missed my fellowship.

This pile of stones, was actually some sort of water storage well which we called "The Reservoir". I think this is actually an incorrect usage of this word, but it was Kansas and we did that sort of language vagary often. In considering it now I would love to now who built it. I would love to now how deep it is. Why they put the stones around it and where the stones came from. It really only just now strikes me as striking. It's really a striking feature, and unlike so much else, "The Reservoir" is just like it always was. I can't help but feel that it will remain just like it always was for sometime to come.

This picture is interesting. Notice the overall distortion of perspective, most obvious near the top of the telephone pole. I like that cell phone camera's do this. I also like that they don't flip images the way all other camera's do, so text appears backwards. I'm a fan of cell phone cameras. I've said that before. I did not have a cell phone when I lived on the farm, that too has changed. My father had a cell phone, possibly towards the end of our time on the farm until it was stolen from the cab of his pickup, which would later be my pick up, in the parking lot of the football stadium where we had parked to see my very first K-state football game. The team my father used to be the mascot of. He talked to the mascot that day, and they had just finally bought a new wildcat head for the poor fool to run around in.


I apologize for running on there. In the foreground of this picture, that tangled mess of plant that you see there is a cactus. It, like "The Reservoir" it sits in front of is amazingly still there. I took a cutting of this cactus, on this trip, and kept it in a Styrofoam container all the way back to Kansas City, where I planted it in a soil/sand mixture, named it spike, and trusted to the care of my mother, who no doubt feels the significance of this plants survival.
This photo looks north west of "The Reservoir", it looks on what2 of the three tree belts of our farm. The third one was planted later, by my father, in what I can only assume was further participation in a government agriculture program a few years before we moved.

In the tree belt on the left I planted my first garden, in horrid soil with no sunlight. Odd that nothing ever grew. It would have been my secret garden, not it's just my forgotten folly.

In the other tree belt Devin used the remains of the chicken coop we tore down on a whim to build a very nice club house. He should blog about that in further detail.


This is looking north east of "The Reservoir". That building that you see that's falling in on itself used to be our cattle barn. A bit west of that and tad bit south there is now no evidence of the place where my brother and I once fed bucket calves. Before that my father had pigs there, not even I remember the pigs.


I really liked growing up on this farm, there is no other spot in the world that I could ever love as much as I love this place. Moving away from this farm was also the single most important factor in my development as a person. My family are all better people for having made this move and been given the opportunity to have experiences that are simply not possible in rural life.

If you trace my steps, they begin here.

Monday, May 14, 2007

Back in the Alley


I've been slack, so in Interest of regaining good blogging habits I will now dump a few memory marks down here and move on.

Below, the post with pictures and no words, is a chronicle of items surrounding our recent helter skelter tour. That was one super fun thing that happened recently which I never got around to blogging about.

I've spent a good deal of my time lately working on aspects of the upcoming Shitting Glitter single. At the figurative last minute Devin inspired us to bash out one last b-side, produced and mixed by yours truly. After mixing it and remixing it at least every night last week, I finally got to the point last night where I could call it done enough. I must say I feel that it's the best production and mixing I've ever done. It helped that I had a good song, and great performances by band members. I also had the added benefiet of having not really mixed anything too seriously in the last couple of years which helped me to enjoy it. Of course most important was that I had excellent help just an email or a phone call away in the form of a seamonster.

Yesterday we rehearsed with the drummer I found to play pride with. This was our second rehearsal with her, and It was really a lot of fun. We have a really great set worked up for pride. I feel very confident about how this show will come across. I'm more excited about this show then I've been about one in a long time. A lot of that feeling comes from the fact that I feel really confident in the band I'll be there with. Exciting.

After the rehearsal Amy and I drove out to Malibu, to see Hoagie and consider the upcoming EP. The considering went well in my opinion. We got home around midnight, I got to sleep around 2:30. I went to work at 8:30. I'm going to take a 10 Minute nap.

Monday, May 07, 2007

Good to Meat You.

This is disgusting. Don't Look.

Really.

This is gross.


Friday morning when I got to work, there was something hanging in the tree in front of our office. Some said it was voodoo, others said it was an arm. I wasn't sure.

I just knew I didn't like it. EW.

We were all baffled and a little disturbed. After some debate we decided we should call the police and leave them to deal with it. A real cracker jack duo arrived to take charge.

They saunter over to the object in the tree and had a look. Then another look. Then another. Finally a man of origins obviously at least one country south of here walked bye and said: "It's beef tongue, some voodoo shit. Only in LA!"
And he was correct. What you see in the horrid picture is in fact a cow's tongue, ritualistically wrapped and hung for some purpose which is not all together clear. I have read that it's used as a curse to keep someone quiet.


The police for there part were more baffled than anything. They made about 15 phone calls on their cell phones, which I have a hunch went something like this:
"No dude, seriously, it's a fucking cows tongue!" "Yeah, It's gnarly lookin'."


They met for a huddle by their car for a long while after that, shifting around on their feet and looking confused, then they walked back over and had another look. Finally they came over to our office to let us know that they didn't know what to do. They said: "We don't really have a report to fill out on something like this, and our supervisor is busy right now, so we are gonna go and then when we know what to do we'll be back to tell you. We can't really cut it down cause we don't have any way to dispose of it, but as soon as we know who will cut it down we'll come tell you."

Eventually the sanitation department came and took the tongue. I was not sad to see it go.

Folks at home may be asking what cow died for that tongue. For my money it was a store bought tongue that died for your hamburger somewhere else, in addition to your belt and you shoes and your gello®.

As for the purpose my theory is that it was a rivalry among two competing Roach Coaches. For my Kansas readers I've found you this picture, I don't recall seeing them around those parts. They are basically a dirty lunch counter on wheels. The wheels are handy when you are operating with out license from the health department. At our office block there is one coach that has been feeding the desperate (I am not one of these people) for the entire time I've worked here. He comes every weekday at the same time, pulls into the parking lot, honks his horn and those who don't care what they eat run out and order. So this fellow has been coming every day for years, then last Thursday this johnny come lately roach coach pulls in early into the parking lot, parks and stays all day, doing business hand over fist, which no doubt cut into the OG roach coach's business. These folks are basically drug pusher's with a shittier product, I would certainly not put the tongue in a tree move past them. If the people that drive those coaches are not the type of people that would buy a beef tongue in the supermarket, then I don't know who would.

Wednesday, May 02, 2007

Come What May

I've been not blogging with the verve I had last month because I'm spending a lot of time working on SG related projects, specifically a new track for our upcoiming ep. The track is called "Trance Ego", and a while back I did a post of Devin cutting his keyboard parts.
Monday Night Devin and Amy cut vocals in this contraption:

Before that Amy toiled on the couch, making sure her lyrics were in order:


I spent several hours last night going through the first stage of mixing, which other than some trouble with getting the vocals to sit, I felt pretty confident in the results. It's been fun to take a song from embryo to completion rapidly, and it's also been a good time for me to be able to concentrate on just one song and do the best I can with production and mixing. The results, will hopefully be avaliable for listening pleasure on the upcoming cd, "Sidesaddle Sweet Talk"

Thursday, April 26, 2007

The Day Blurs Evening

Carrie, who long time readers of this blog will remember from post far too numerous to mention arrived here in Los Angeles yesterday after an absence of several years. In the time that has passed since I last eyed her, Carrie has paid some debts to society and more importantly to herself.
Carrie was at Devin and Dylan's apartment when I got of work last night. I drove home and met Amy and we walked over to their apartment. We popped up and said hello to Dylan and then collected Carrie and were on our way.
We decided to do our catching up at this establishment, Blvd Lounge. This picture was actually taken as we were leaving, and fitting it would be blurry. Nary a one of the three of us had been to this establishment before, but Devin had recommended it.
I'll also be open about the fact that I'm not just indulging myself with this blog, but also my mother, who requested a blog about dinner.
From the outside Blvd. Lounge has always looked like a trailer house to me, but from the inside it's very nice and upscale. The view is nice, it over looks the "Mathew Shepard Human Rights Triangle", sadly I lack the city infrastructure vocabulary to describe exactly what that is. I enjoyed looking out at passing cars, catching up with an old friend.These two fine people arrived shortly after we did. They ordered wine and some sort of martini. Check out the profile on the fellow. That is the stuff that children's book villains are made of.
I'm finding that my cellphone camera has some difficulty conveying light, which sad, because it was beautiful at the time this photo was taken last night.
Here Amy is telling Carrie a story, a story that has left Carrie obviously saying something to the effect of "Serious Dude?"
You maybe can't tell from where you sit, but Carrie is wearing a shirt that says: "Cheesy and Delicious". She's from Wisconsin you know.
Here I am surprised, by just about everything. Life in general, the evening in specific. I'm conveying through this self portrait my complete wonder at where the world takes you, and what it does with you when it gets you there.
I would have never predicted the evening this picture captures in progress, and I'm thrilled to have my world unfold that way.

Apparently the bar was not prepared for us. You are looking at the last three Large Sapporo's in the place. Apparently the fellow that does there ordering couldn't have predicted that we'd stop by for happy hour.
This is a flat bread pizza, with some type of very spicy sausage on it. It was pretty scrumptious.
As we talked along last night and I listened when my mouth wasn't speaking, I was reminded of something that I wanted to mention here, a bit about memory. I've often heard it say amongst my friends, that remembering things can be a real problem, and that it probably has something to do with getting older. I find when I catch myself forgetting something, like a name or the answer to a question I've already asked it's not because I didn't remember it, but because I was paying attention enough to even learn what I've since convinced myself I've forgotten. It's not often about memory, it's about participating fully in the gathering of information. Burgers... I watched the movie Fast Food Nation last night. The burger in this picture may well be my last. That movie or the book, should be required prior to the frequenting of a cooked food on the go establishment. I am reminded again that I should eat ethically. I wonder if I really needed reminded, or if I should have just paid attention.
With this final blurry shot I'll let you in on a little secret about me. When I go to a new restaurant I will always excuse myself to the restaurant at some point during my stay, weather I need to go or not. How someone can go into a restaurant and not check out what the bathroom looks like is beyond me. Also, on the chance the bathroom is what we call a "Onesy" I like to lock the door and take a moment of piece. Outside the conversation is flowing with drinks, and catching up is in progress so it's good to pause and allow the self a moment to reflect and reset.

Tuesday, April 24, 2007

A Day in a Drive


The map above is a reference guide. The beginning of of the red line is approximately where the pictures begin. The last picture is taken facing the Astral Drive sign, where the red line stops. Handy.

A while back I did a little blog about my drive home from work, which I am really rather fond of, so yesterday while participating in my drive home it occurred to me that I might one day like to look back on parts of it again, so I drove a bit slower than usual on one small section and took 7 pictures. They are placed in order as they appear on my drive.


I feel some people take blogging as some defined activity, that must in some way fulfil a duty of entertainment value to any humble bumbly that might happen upon it, I simply don't agree. I think that blogs are so numerous, that perhaps one should possibly ignore the urge to blog about the new Nine Inch Nails record and instead cover the intensely specific. Such as how the light happened to look one afternoon as one certain individual navigated a white van through a canyon road with a cell phone camera hanging out the window.

I don't take work home with me, I've been quoted as saying that I don't take my work to work with me but that's another blog, and putting forth the extra effort to enjoy a short journey home is a big part of leaving work at work. I like to look for a route to and from my place of employment that packs in the most exciting and pleasing imagery possible, the kind of route where you see something new every day. I connect with sotres and houses and trees and hills, and checking on them from time to time then takes a certain amount of my thought processing power.

Where after leaving work one day I might have been tempted to continue to think about a call I ran out of time to make or an invoice I should have typed It's not long before I'll hit an interrupter, such as a new pink wig in the wig store window that I pass. I see the wig and soon I'm thinking "Wow, that would look really cool on Amy." Then I wonder "how much does a wig like that cost at that store."
The idea is to enjoy my free time of mind. To have thoughts that I would have for free. About things that would look good on the heads of people that I love, and stop thinking about things that I should only think about because someone pays me to. If a person has enough things like this in life, and their work is in a basic sense fair, then the transition from someone else's time to your own should be automatic. it goes like this: I'm thinking about work undone, then I see a wig, then I see a tree that maybe had a branch fall down in the high winds of the day, how windy did it get anyway? I bet it would be easy to steel that sign.

The Ivy on the side of this hill grows in solid for nearly 200 yards, it's about 20 to 25ft high. I had been taking this route for several months before I'd even noticed it. Now I wait for it, it's a favorite feature. When I see it I often think that my mother would probably go wild to have a big hillside covered with Ivy next to her house, and that my father would take a great deal of pride in the fact the Ivy is surly the best on the block. I don't even know if it's actually Ivy.

My small document of a section of a drive home and the thoughts it conjured ends here, at Astral drive, but somewhere at the top of Astral drive a trail is just beginning. I think about that trail often when I pass Astral Drive, I've never seen it, but I know it's there because I've seen it on a map. One day I'll have a blog about hiking on that trail, and there might even be pictures.

Monday, April 23, 2007

A Candles Last Gasp


Last night, after rehearsal and a busy weekend spent burning candles at all ends a small group of friends gathered at our apartment to enjoy food, fellowship and dramatic entertainment. We ordered pizza and salad, from Brick dome Pizza on Santa Monica Blvd., an establishment that I would recommend. The evening's viewing was a new Showtime show called "Master's of Horror". I had never heard anything of the show but they have weekly gore-horror shows, of about one hours length.
The show we watched was an adaptation of Edgar Allan Poe's "The Black Cat", with the twist of the adaptation being that it was set as if the story happened to Poe Himself. I write this quick blog in tribute, as Poe was an early favorite author, and because I was shocked to learn that no one else in the room had read "The Black Cat", which I thought to be a fairly common Poe tale.
So for those who have an interest in what I consider to be the hidden nuggets of the Poe catalog, here is my small list. Let it be known, that I really shouldn't be regarded as anything near an authority on any of this, I haven't dabbled in that catalog in many years and I've never found that a great number of people agree with anything I write down... ;)

"The Angel of The Odd" I don't recall a great deal of this story, only the strange phonetic way the Angel spoke, and that part of it happened In an air balloon. I also had the feeling it was set in the future.

"Silence: a Fable" I must have read this one a hundred times. Still Love, and I bet I can find it online... It's short. I'll have a look.

I found it, I'll copy paste it here after my last selection. As a special notice to anyone who might be familiar with the S no S catalog, the title and titular line of the song "sigh One" comes from this piece...

"Never Bet the Devil Your Head" My all time favorite. I just always found it so funny. Faustian if you will. A good ending, just not for Mr. Dammit, your main character with a bit of a gambling problem.

So to end this little tribute, here you go in it's glory:

Silence - A Fable
(1837)
by Edgar Allan Poe
(1809-1849)


--------------------------------------------------------------------------------

'Eudosin d'orheon korhuphai te kai pharhagges'
'Prhones te kai charhadrhai.' ALCMAN. (60 (10),646.) The mountain pinnacles slumber; valleys, crags and caves are silent.


"LISTEN to me," said the Demon as he placed his hand upon my head. "The region of which I speak is a dreary region in Libya, by the borders of the river Zaire. And there is no quiet there, nor silence.

"The waters of the river have a saffron and sickly hue; and they flow not onwards to the sea, but palpitate forever and forever beneath the red eye of the sun with a tumultuous and convulsive motion. For many miles on either side of the river's oozy bed is a pale desert of gigantic water-lilies. They sigh one unto the other in that solitude, and stretch towards the heaven their long and ghastly necks, and nod to and fro their everlasting heads. And there is an indistinct murmur which cometh out from among them like the rushing of subterrene water. And they sigh one unto the other.

"But there is a boundary to their realm--the boundary of the dark, horrible, lofty forest. There, like the waves about the Hebrides, the low underwood is agitated continually. But there is no wind throughout the heaven. And the tall primeval trees rock eternally hither and thither with a crashing and mighty sound. And from their high summits, one by one, drop everlasting dews. And at the roots strange poisonous flowers lie writhing in perturbed slumber. And overhead, with a rustling and loud noise, the gray clouds rush westwardly forever, until they roll, a cataract, over the fiery wall of the horizon. But there is no wind throughout the heaven. And by the shores of the river Zaire there is neither quiet nor silence.

"It was night, and the rain fell; and falling, it was rain, but, having fAllan, it was blood. And I stood in the morass among the tall and the rain fell upon my head --and the lilies sighed one unto the other in the solemnity of their desolation.

"And, all at once, the moon arose through the thin ghastly mist, and was crimson in color. And mine eyes fell upon a huge gray rock which stood by the shore of the river, and was lighted by the light of the moon. And the rock was gray, and ghastly, and tall, --and the rock was gray. Upon its front were characters engraven in the stone; and I walked through the morass of water-lilies, until I came close unto the shore, that I might read the characters upon the stone. But I could not decypher them. And I was going back into the morass, when the moon shone with a fuller red, and I turned and looked again upon the rock, and upon the characters;--and the characters were DESOLATION.

"And I looked upwards, and there stood a man upon the summit of the rock; and I hid myself among the water-lilies that I might discover the actions of the man. And the man was tall and stately in form, and was wrapped up from his shoulders to his feet in the toga of old Rome. And the outlines of his figure were indistinct--but his features were the features of a deity; for the mantle of the night, and of the mist, and of the moon, and of the dew, had left uncovered the features of his face. And his brow was lofty with thought, and his eye wild with care; and, in the few furrows upon his cheek I read the fables of sorrow, and weariness, and disgust with mankind, and a longing after solitude.

"And the man sat upon the rock, and leaned his head upon his hand, and looked out upon the desolation. He looked down into the low unquiet shrubbery, and up into the tall primeval trees, and up higher at the rustling heaven, and into the crimson moon. And I lay close within shelter of the lilies, and observed the actions of the man. And the man trembled in the solitude; --but the night waned, and he sat upon the rock.

"And the man turned his attention from the heaven, and looked out upon the dreary river Zaire, and upon the yellow ghastly waters, and upon the pale legions of the water-lilies. And the man listened to the sighs of the water-lilies, and to the murmur that came up from among them. And I lay close within my covert and observed the actions of the man. And the man trembled in the solitude; --but the night waned and he sat upon the rock.

"Then I went down into the recesses of the morass, and waded afar in among the wilderness of the lilies, and called unto the hippopotami which dwelt among the fens in the recesses of the morass. And the hippopotami heard my call, and came, with the behemoth, unto the foot of the rock, and roared loudly and fearfully beneath the moon. And I lay close within my covert and observed the actions of the man. And the man trembled in the solitude; --but the night waned and he sat upon the rock.

"Then I cursed the elements with the curse of tumult; and a frightful tempest gathered in the heaven where, before, there had been no wind. And the heaven became livid with the violence of the tempest --and the rain beat upon the head of the man --and the floods of the river came down --and the river was tormented into foam --and the water-lilies shrieked within their beds --and the forest crumbled before the wind --and the thunder rolled --and the lightning fell --and the rock rocked to its foundation. And I lay close within my covert and observed the actions of the man. And the man trembled in the solitude; --but the night waned and he sat upon the rock.

"Then I grew angry and cursed, with the curse of silence, the river, and the lilies, and the wind, and the forest, and the heaven, and the thunder, and the sighs of the water-lilies. And they became accursed, and were still. And the moon ceased to totter up its pathway to heaven --and the thunder died away --and the lightning did not flash --and the clouds hung motionless --and the waters sunk to their level and remained --and the trees ceased to rock --and the water-lilies sighed no more --and the murmur was heard no longer from among them, nor any shadow of sound throughout the vast illimitable desert. And I looked upon the characters of the rock, and they were changed; --and the characters were SILENCE.

"And mine eyes fell upon the countenance of the man, and his countenance was wan with terror. And, hurriedly, he raised his head from his hand, and stood forth upon the rock and listened. But there was no voice throughout the vast illimitable desert, and the characters upon the rock were SILENCE. And the man shuddered, and turned his face away, and fled afar off, in haste, so that I beheld him no more."

Now there are fine tales in the volumes of the Magi --in the iron-bound, melancholy volumes of the Magi. Therein, I say, are glorious histories of the Heaven, and of the Earth, and of the mighty sea --and of the Genii that over-ruled the sea, and the earth, and the lofty heaven. There was much lore too in the sayings which were said by the Sybils; and holy, holy things were heard of old by the dim leaves that trembled around Dodona --but, as Allah liveth, that fable which the Demon told me as he sat by my side in the shadow of the tomb, I hold to be the most wonderful of all! And as the Demon made an end of his story, he fell back within the cavity of the tomb and laughed. And I could not laugh with the Demon, and he cursed me because I could not laugh. And the lynx which dwelleth forever in the tomb, came out therefrom, and lay down at the feet of the Demon, and looked at him steadily in the face.

THE END

Friday, April 20, 2007

Paradise Awaits, I'm underwater

We had a good rain this morning in North Hollywood as you can see. It was nice, I was tired so it the grey matched my sleepy feeling. This puddle, a spare yawn and few good clouds are all that remain. The forecast is for more, and I have a feeling the rain will be coming back, and I'm fine with that because I've spent most of my afternoon thinking about going back, all the way back home, to my very first home in Paradise, Kansas.
This time next month Devin, Dylan, Amy and I will all travel back to Kansas to pat my wee sister Adrienne on the back. My wee sister isn't so wee anymore, but when we all hop in that car after our arrival in Kansas City next month and drive west to Paradise I will be able to remember her as a I first came to know her. A little person full of spirit and often ridiculous amounts of joy. Always up for any silly make-believe game you could play. Dad's workshop could be a gas station, or the recliner in the living room a hair dresser's chair (Tammy, your 3 O'clock is here). Some days you just want to put on a slip and a t-shirt and hula hoop on the front walk.
I'm looking forward to reliving a lot of those memories, but more than that I'm looking forward to making some new ones.

Adrienne told me yesterday that she was feeling stressed because she hasn't found a job yet. She's not done with finals. A new life for her is coming up fast, she will find a great job and she'll be great at it. She will add a wealth of new experiences to her already wonderful herstory, and I look forward to being a part of as many of them as I can.

Don't be in such a hurry to get to the next part of your life Adrienne, I want to see you again as a student, and help you celebrate your achievements and your being.

Sometimes it doesn't rain for months, then one day you find your parking lot full of water. The future is in the future, Paradise awaits.

Thursday, April 19, 2007

Duct Tape


Congrats to my Mother and Father, On this day in 1973 they made a commitment to one another. There have no doubts been moments of small selfish fits between them, but they've done a good job of not showing it and obviously never letting anything take priority over their union for very long. I am proud of my parents, much love all the way around.

Devin Session


Last night around 9 pm I packed up Vincent Free Sound studio and headed to Devin and Dylan's apartment where Devin was waiting to record keyboard part to a new song we are working on. I mentioned the song last week is possibly titled, Trance Ego, as you can see from the LCD screen on my fostex 16 track recorder. This is the tiny screen I end up staring at a great deal more that I should.
I usually insist that Devin comes to me, because I like to control my environment, and have all my available tools near by. I went to last night to Devin's because he was actually using his Garage band Software as a sound module for his synth. I was happy to oblige this because I wanted to see what it sounded like and to lend the track it's own unique character in the cannon of SG work.
Here is Devin now, listening to his own demo of the song on his computer so as to remember what notes he played. Devin has become quite capable at producing good quality work on his own set up, this means that I'll have to pay extra attention and take special care when I get into mixing this track because I don't want to find my services obsolete.
Devin is a very efficient player, he usually is well prepared and capable. He has excellent musical memory and I think he even counts in his head so he knows where he is at all times, that is useful, I should maybe start doing that. This is Devin playing the keyboard part that is very busy in the second chorus. I am very tempted to use a crazy delay timed to the beat on it, thus making it even busier. We shall see. This blog is probably incredibly boring for anyone that isn't Devin or Brandon. I suggest you just look at the pictures and enjoy.
This is your last picture of the Devin Session. I think this picture has some significance in that you can clearly see him playing his ancient concertmate keyboard that he used in all the Singe songs except "microscope", which has been unanimously voted as the worst Singe song of all time. Here's to squeezing a little more magic from the Concertmate.

Wednesday, April 18, 2007

More than Zero


Check the Odometer, Zeros And Ones. A central theme of the brand new Nine Inch Nails album, "The Year Zero". I'm just this second listening to the last dying notes of the album, as played from start to finish and I must say I'm thrilled stunned and more than a bit confused. The thematic content of the record is very strong, and at times not very easy to deal with when its taken as a back drop to the violent times we are being so frequently reminded that we live in.
There is beauty hidden under the layers of distortion and rapid not runs and slides. The active panning is massive. I get the feeling that square wave synths and smooth wave synths represent different sides of an essential conflict on this record. WOW. I'm pretty stunned free of coherent thought. I like.